Reviewed by Amanda Maria Gipson

REVIEW: In My Boots: A Memoir of 5 Million Steps Alongside the Appalachian Path by Amanda Okay. JarosLike most college students at Penn State within the 2010s, I carried an overstuffed Vera Bradley. I used to cram that pirouette-patterned messenger bag so utterly that I might solely transfer from place to put with it perched precariously on my lap, the flap stuffed between my physique and my wheelchair armrest. The pockets had been full: pens, chargers, tissues, a mini stapler — we nonetheless printed papers then — an iPad, numerous books, and no matter else I believed would assist me get by way of the day.

In My Boots: A Memoir of 5 Million Steps Alongside the Appalachian Path means that Amanda Okay. Jaros took an analogous method to dealing with the unknown. She writes:

My loaded pack weighed in at fifty-eight kilos. Nearly half my weight. I grabbed the shoulder straps and heaved it up onto my leg. The weight dug into my thigh… My backbone compressed because it settled onto my again. I adjusted the hip belt, fiddled with my shirt underneath the straps, and pretended to not discover that the factor towered above my head (2).

Jaros’s prose is immersive, pulling readers into her over-prepared journey. Her detailed gear lists, which at first look might simply be dismissed as extraneous element, reveal the load of her mindset: preparation equals safety.

In My Boots is greater than a compelling narrative northward. Jaros affords readers with pursuits past the Appalachian Path a lot to understand. Anybody fascinated with feminist explorations of household dynamics and narratives of place will admire how Jaros makes use of setting as a lens for reflection and weaves flashbacks of childhood into her journey. As she hikes, Jaros reframes self-trust—not as foresight or preparation, however as the talents, instincts, and resilience to adapt, to face uncertainty, and to seek out options within the second.

That second comes when Jaros injures her knee. She asserts:

I couldn’t wait right here for somebody to avoid wasting me. I needed to transfer. I needed to save myself (28).

Jaros doesn’t share her inside expertise with the reader and as a substitute externalizes her wrestle. She doesn’t replicate on how she arrives on the resolution to maintain shifting—she merely meets urgency with motion. After regaining her footing, discovering the blaze, and limping her technique to security, there is no such thing as a grand realization—solely a single, stark declaration:

I needed to consider I might do that. I could make it to Maine (29).

At first, the dearth of introspection felt jarring, however I got here to see it as an intentional and compelling rhetorical selection. By withholding the inside logic of her transformation, Jaros invitations the reader to share her uncertainty and concern. As a result of readers should navigate the textual content with out the reassurance of her inside monologue, the journey is now not about having all the pieces we would want—it’s about trusting our personal potential to adapt and maintain shifting regardless of uncertainty.

Writers who’ve been advised to belief their readers ought to transfer In My Boots: A Memoir of 5 Million Steps Alongside the Appalachian Path to the highest of their pile. Jaros not solely tells us about growing self-trust — she invitations us to lace up our personal boots and domesticate it inside our personal journey.

Meet the Contributor

amanda marie gipsonAmanda Marie Gipson is a artistic author from Northern Appalachia with a background in community-based agricultural training. She earned her MFA from Wilkes College in 2023 and in addition holds an M.Agr from Colorado State College. She now facilitates storytelling workshops in rural and agricultural communities to advertise resilience, wellbeing, and group engagement. When not engaged on a memoir-in-letters to her beloved Labrador, Amanda additionally serves because the fiction editor for Northern Appalachian Evaluation. Her writing has not too long ago appeared in Artium: A Journal of Fiction, Inventive Nonfiction, and Poetry, and The Disruptive Quarterly.



Supply hyperlink


Leave a Reply

Your email address will not be published. Required fields are marked *