There’s simply one thing about Rod Serling’s voice that sends chills down my backbone and likewise makes me lean in on the identical time.

However one episode, I believe, does one thing actually enjoyable. It really adapts a Bible story right into a futuristic science fiction story, and I believe it holds quite a lot of classes for writers.

Let’s dive in.

Digging into “Probe 7, Over and Out”

Initially aired in 1963, the episode, penned by Serling himself, transports viewers to a desolate, alien planet. Right here, astronaut Colonel Adam Cook dinner, portrayed by Richard Basehart, finds himself stranded after his spacecraft, Probe 7, crash-lands. Along with his ship irreparably broken and his house world getting ready to nuclear annihilation, Cook dinner faces a way forward for profound isolation.

His solitude is damaged by the arrival of one other castaway – a strikingly human-like alien girl named Eve Norda, performed by Antoinette Bower. She, too, is the only real survivor of her personal planet’s demise. Regardless of the language barrier, a connection kinds between them, constructed on shared loss and the intuition for survival.

To not spoil the ending of the episode, however these two characters then discover a fertile, garden-like space, that parallels to the E book of Genesis.

However on this enjoyable adaptation, it takes a twist and turns into a strict dramatization.

Cook dinner introduces himself as Adam, and Norda reveals her title to be Eve. And the episode ends with Eve providing Adam an apple.

Rod Serling’s iconic closing narration suggests they’re heading in the direction of a brand new Eden, with this alien world being a nascent Earth.

So, the twist is that that is the actual story of Adam and Eve, who weren’t emissaries of God however house vacationers who crash-landed on Earth to start out a brand new world.

So, What Are the Classes Right here?

The Bible is a extremely lengthy e book with quite a lot of tales. It’s very price getting in there and mining what’s there for strict adaptation or to place some distinctive spin on it.

The Twilight Zone performed with the idea of God creating life on this Earth and spun it on its head. However you could possibly simply do that with any of the massive, standard tales.

You can use the characters to themes and bend them to your will. They’re nice IP, and they are often modified and manipulated for something, so long as you’ve a standpoint and an thought of how you are going to subvert audiences.

Let me know what you assume within the feedback.



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