Category: Book Writing


  • New imprint at Simon & Schuster UK: Solstice

    Solstice Books will publish sci-fi/fantasy, romantasy, and horror beginning in spring 2026. This premium article is offered to paid subscribers of Jane’s e-newsletter. This is what subscribers get: Entry to greater than 3,000 premium articles on this website, all searchable Business information that features Jane’s reporting and evaluation, despatched through electronic mail as soon as…

  • Readers Are Fascinated by Reality in Fiction—and It Issues

    Picture by Aziz Acharki on Unsplash Right now’s submit is by creator Penny Haw. Readers are intrigued by what’s or is likely to be true in literature. Even when authors vow that our fiction is simply that—fiction!—readers interrogate us, and dissect characters, conduct, plot, and themes to seek out hidden parts of autobiography. There’s a…

  • Sale, Schedule, And Sundry Different Snidbits – Chuck Wendig: Terribleminds

    If there’s an opportunity you’ve been eyeballing The Staircase within the Woods however kinda possibly sorta wished it a bit cheaper — although right here I remind you that libraries exist and are good, really! — I word now that the ebook is on sale for $6.99 in e-book format on your electromatic book-reader of…

  • New imprint at Simon & Schuster UK: Solstice

    This premium article is on the market to paid subscribers of Jane’s e-newsletter. Here is what subscribers get: Entry to greater than 3,000 premium articles on this website, all searchable Business information that features Jane’s reporting and evaluation, despatched through e mail as soon as a wek Entry to Jane’s non-public useful resource guides, regularly…

  • 7 Methods to Watch and Learn Extra Deliberately

    In a world flooded with tales—books, exhibits, movies, and infinite social content material—it’s straightforward to fall into passive consumption. However as writers and creatives, what we absorb issues simply as a lot as what we put out. To write down with depth, readability, and resonance, we should first study to learn extra deliberately and watch…

  • Romance guide occasion listing | Jane Friedman

    Romancing the Knowledge has launched an occasion listing to assist authors and readers discover occasions within the US, Canada, and on-line. This premium article is offered to paid subscribers of Jane’s publication. This is what subscribers get: Entry to greater than 3,000 premium articles on this website, all searchable Trade information that features Jane’s reporting…

  • The Final Writing Glossary (Story Construction, Character Arcs, and Extra)

    Over time, I’ve developed a set of phrases which have change into foundational to how I educate storytelling. Just a few I’ve coined myself, others I’ve tailored, and a few I’ve merely emphasised so incessantly they’ve change into intently related to my method to character arcs, story construction, and theme. Whether or not you’ve adopted…

  • The Villain Is the Hero of Their Personal Story

    Picture by Gabriel Meinert on Unsplash Immediately’s put up is excerpted from The Villain’s Journey: Methods to Create Villains Readers Like to Hate by Debbie Burke. As Christopher Vogler and different smart authors have noticed, villains are the heroes of their very own tales. Villains and antagonists have their very own objectives, wants, and needs…

  • The Secret to a Writing Profession Could Boil Right down to Sheer Grit

    As we speak’s submit is by writer and ebook coach Amy L. Bernstein. Usually talking, writers have a vast urge for food for discussing writing. The craft itself, after all, but in addition contracts, advertising and publicity, agent-shopping, advances and royalties, discovering trusted beta readers, and so forth. Put half a dozen writers collectively in a room and…

  • What Makes a Story “Unhealthy”? A Information to Why Your Narrative Is not Working

    We’ve all skilled it: a narrative that appears good on paper, options big-name characters, or begins with an intriguing premise—however in some way falls flat. Perhaps the characters really feel hole, the plot drifts with out objective, or the ending lands with a thud. However what really makes a narrative “dangerous”? Are there pitfalls you…