Welcome again to Studying the Bizarre, during which we get lady cooties throughout bizarre fiction, cosmic horror, and Lovecraftiana—from its historic roots by its most up-to-date branches. This week, we have a good time Nationwide Poetry Month with Samuel Taylor Coleridge’s “Christabel” (components I and II), first revealed as a pamphlet in 1816, alongside Kubla Khan and The Pains of Sleep. Spoilers forward!


The rich Baron, Sir Leoline, owns a toothless mastiff bitch who from her kennel solutions the citadel clock. Some say when her howls are tender and low, she sees the late Baroness’s shroud. This April midnight, owls wake the cock, who drowsily crows. The late hour however, Girl Christabel, delight of her father, walks within the castle-encompassing woods. Yesternight she dreamt of her betrothed knight; now she kneels beneath an enormous outdated oak to wish for his welfare.

A moan interrupts her devotions. Behind the oak lies a damsel in a white silk gown. Her ft are naked, however gems glitter in her hair. It’s frightful to see a woman of her magnificence mendacity unprotected within the evening woods! In a faint, candy voice, she tells Christabel she is Geraldine, a nobleman’s daughter. Yestermorn, warriors kidnapped Geraldine and introduced her right here. They’ve gone on some errand unnamed, quickly to return. She remembers nothing extra till the sound of chateau bells woke her.

Christabel comforts the stranger. Her father, Sir Leoline, will see she’s introduced dwelling protected. For tonight, she’ll share her chamber with Geraldine. The servants are abed now; in addition to, Sir Leoline is unwell and shouldn’t be disturbed. The 2 attain the citadel unmolested. Simply earlier than the iron-clad gates, Geraldine sinks to the bottom as if overcome by ache, however after Christabel lifts her inside, she recovers.  Christabel invitations Geraldine to hitch her in prayer to the divine Virgin, however Geraldine says she’s too weary. As they cross the citadel courtyard, the mastiff bitch moans angrily in her sleep. As Geraldine passes, the embers of a dying hearth ship up a tongue of flame.

Once they’re protected in Christabel’s room, she provides Geraldine a cordial her mom made. Her mom, she confides, died at Christabel’s delivery. Geraldine seconds her want the Baroness was right here now. Then, as if she will see the “bodiless useless,” she warns some “lady” that although she could also be Christabel’s “guardian spirit,” she have to be off, for this hour is given to Geraldine.

Christabel believes her new buddy is “wildered” by her ordeal and assures her the hazard’s over. Geraldine tells Christabel that heaven’s denizens love her and that even she, Geraldine, will attempt to “requite” her effectively. She bids Christabel go to mattress whereas Geraldine prays. Christabel obeys, however can’t sleep. Whereas watching Geraldine undress, she sees “a sight to dream of, to not inform,” for Geraldine’s bosom and half her facet are, effectively, unspeakable. Geraldine appears torn with indecision, however “accumulate[ing] herself in scorn and delight,” lies down and embraces Christabel. The contact of her bosom, she claims, will render Christabel unable to inform what’s occurred that evening, besides that she discovered within the woods a “vibrant woman, surpassingly truthful,” whom she has introduced dwelling to shelter.

Later Christabel lies in her seducer’s arms, now not the harmless who ventured out to wish for her betrothed. Geraldine, “the employee of those harms,” has had her hour and her will, throughout which all of the nightbirds had been nonetheless, however as they sing once more, Christabel each weeps and smiles. She is aware of “that saints will help if males will name: For the blue sky bends over all!”

Since his woman died, Sir Leoline says that every matin bell “knells us again to a world of demise.” It’s now customized and legislation that at daybreak the sacristan will pause between strokes, as if including funeral knells to morning tune. The bell’s toll sounds all through Leoline’s area, however “the satan mocks the doleful story/With a merry peal from Borodale,” listening to which Geraldine shakes off dread and rises to array herself. Christabel wakes perplexed to seek out the woman she rescued extra stunning than ever and radiating “light thankfulness.” Certainly she, Christabel, has sinned, however reward heaven if all’s effectively!

Leoline welcomes Geraldine, however pales to study her father is Roland de Vaux of Tryermaine. Leoline and Roland had been youthful mates whom phrases of “excessive disdain” sundered. For many years they’ve been aside, however neither ever discovered one other buddy so pricey. Seeing Roland in his daughter, Leoline swears to punish her kidnappers and embraces her. Watching, Christabel sees once more the monstrous bosom Geraldine revealed the evening earlier than. Her hissing gasp attracts Leoline’s consideration. Geraldine, an image of sorrow and style mixed, says that if she’s offended Christabel, let her be despatched dwelling directly.

Leoline objects – as a substitute he’ll ship his bard, Bracy, to inform Roland that Leoline will journey forth in “quite a few array” to convey Roland’s daughter dwelling. In the meantime Roland could journey out to fulfill them. And Bracy should inform, too, how a lot Leoline repents shedding Roland’s friendship.

Bracy is moved, however begs this boon: Let his journey be delayed. Final evening he dreamt he noticed Christabel as a dove alone within the forest, moaning in misery, coiled round by a inexperienced snake. Bracy fears one thing unholy lurks, and he’s vowed to exit and cleanse the forest with “music robust and saintly tune.”

Leoline, gazing in marvel and love at Geraldine, has solely half listened to his bard. He tells Geraldine that he and Roland collectively have arms extra robust than harp or tune – they’ll crush that snake collectively. Geraldine accepts his kiss with maidenly blushes, however appears askance at Christabel, her eyes shrinking to snake’s eyes. In her dizzy trance, Christabel’s eyes mirror the look of “boring and treacherous hate” in Geraldine’s. She kneels and begs Leoline to ship Geraldine away. Leoline’s incensed by the dishonor on the hospitality of his home, all for jealousy of his buddy’s daughter. He orders Bracy to depart for Tryermaine directly.

Bracy obeys. Leoline turns from “his personal candy maid” to steer the woman Geraldine from the corridor! What unusual perversity, how a doting father may “categorical his love’s extra with phrases of unmeant bitterness.”                                                                           

What’s Cyclopean: The ability of the language varies wildly right here. I admit myself unmoved by “Is the evening chilly and darkish?” However then the Dungeon-ghyll (I feel that final is a variant spelling of “jail”) is memorably and foully hire with “ropes of rock and bells of air,” so vividly contrasted with the peals of a church tower.

One other good line: Leoline promising to rend Geraldine’s attackers “reptile souls” from their our bodies.

Weirdbuilding: Are the whippoorwills in Dunwich the identical birds that decision “tu-woo, tu-woo” over Christabel’s moonlit woods?

Notice: Anne’s not out there to remark this week. She could or will not be mendacity dovelike within the woods, coiled by a depraved serpent.

Ruthanna’s Commentary

I’m apparently not the one individual to learn Christabel and suppose, oh, this certain does remind me of Carmilla. There’s a complete paragraph on it within the Wikipedia Affect part. The affect goes the opposite method, clearly. No time-traveling evil innocent-looking girls right here, nope!

However there are definitely parallels. Magnificence and obvious goodness to draw the harmless youth, in order that she begs her father to offer help. An attractive stranger who can act terrified one second and exert darkish charisma the following. Energy to regulate, and appeal to, and maybe drain, the beloved daughter. Scary and attractive and rather more within the daughter than the daddy. And a definite distaste for Christian protecting symbols. 

We all know Carmilla’s nature. It’s not clear what Geraldine is, exactly, as a result of we solely have two components out of Coleridge’s deliberate 5. We all know there’s some type of horror seen on her unclothed bosom and “half her facet.” That’s not only a distressing tattoo; that is somebody who solely appears like a traditional human with the disguise of a 18th century noblewoman’s garb. Plus it’s the contact of her bosom that works a spell to bind Christabel’s tongue – suggesting not merely gore however inherent magic. My first thought for the “sight to dream of, to not inform” was a physique half-corpse. However she may as simply be half-cow, or hole shell, a la the hulder, or scaled like a dragon.

Geraldine’s sob story intrigues me, although, maybe as a result of Carmilla by no means did something with that side of her deception. As a result of whereas it’s Christabel with whom she lies down, it’s Leoline whose outdated regrets she so dramatically invokes. Her ostensible father is the beloved buddy of Leoline’s youth. They quarreled horribly and haven’t spoken in years. And Leoline, now outdated and “weak in well being,” is especially susceptible to the chance to heal that rift – in order that, when Christabel resists the spell sufficient to voice her personal extra fast regrets, he’s certain to dismiss them. How dare his daughter undermine his hospitality? How dare she counsel spurning the daughter as he as soon as did the daddy? So if one manages to withstand, the opposite will supply Geraldine all of the safety she needs.

Leoline will even ignore his bard’s visions—by no means a good suggestion. So Bracy can’t save them both.

After which…? Coleridge received author’s block, so it’s left to the remainder of us to fill within the blanks. This isn’t Coleridge’s solely incomplete poem, and he can’t even blame the customer from Porlock this time. To me, although, that is what most certainly provides the poem its place within the bizarre ancestral canon. The fickleness of the muse echoes the attraction-repulsion of an writer approaching and pulling away from the phobia on the coronary heart of a narrative. What, in spite of everything, may be extra unnamable than the factor that you just actually fail to call? If the story had been completed, we’d relaxation straightforward with the data that saints and useless moms actually do defend the worthy. As it’s we’re left, 225 years later, nonetheless questioning what lies beneath Geraldine’s white costume. That void makes for a fascination that’s unlikely to subside.


Subsequent week, we’re taking off to go play harp within the woods, for causes. Then be a part of us for the only-slightly-delayed begin to Hildur Knutsdottir’s The Night time Visitor. icon-paragraph-end



Supply hyperlink


Leave a Reply

Your email address will not be published. Required fields are marked *